During QuiltCon 2015 I was doing my usual social media thing when a local friend of mine who has nothing to do with quilting sent me a message and wondered if I might run into a friend of hers while I was at QuiltCon. I said, “Sure, who is it?”, all the while thinking that there was no way in the world I would know her friend. “Heather Jones.” Really? Like really? How on earth does this friend of mine in Georgia have any connection with a sewlebrity from Ohio?!? Turns out they were online Mommy buddies back in the day when their kiddos were smaller. I jokingly told my friend that she ought to get that burp cloth Heather made autographed! haha!
I’ve been very fortunate to have brushes with creative greatness over the years, and Heather is no exception. I follow her work often, and was really excited to see her book Quilt Local come out last year. Words like fresh, clean and crisp are what come to mind when I see her quilts. Like early morning before the day is muddled with all of it’s business. You can see examples of her work at her website, heatherjonesstudio.com.
Let’s talk about the inspiration in this book first. I mean really. It is as much a book that I would have on my coffee table as it is a book I’d have splayed out in my studio. The book itself is beautifully published, and the photography is fantastic. From the quilts themselves to the placement of the quilts to the places that inspired the quilts- the colors are crisp, the contrast is right, the composition interesting.
Heather’s background in fine arts is evident with every turn of a page. I loved the section on color theory, and was reminded once again that I really want to take some classes on color theory. I honestly don’t really care about a degree at this point in my life, but there are a lot of things I want to learn, and she hit on some of that in this section.
There are 40 projects in Quilt Local, all based on inspiration Heather gained from her immediate, everyday surroundings. Some from buildings, some from pavement. She gives amazing, yet simple, tips on how to find inspiration, or maybe better said, allow inspiration to find you.
I wanted to follow Heather’s advice for inspiration, and I will make the quilt that I thought of one day, but it turns out that my inspiration has a tendency to come from busy things. Like events. And people. For this project, I wanted to practice a little self discipline, and try to keep with the feel and vibe of Heather’s book. So, I looked through the projects. Then I looked through my fabrics. Eureka. Or more appropriately, Lebanon.
Lebanon is a quilt from Quilt Local inspired by the exterior windows of a bank in Lebanon, Ohio. I liked the quilt when I first looked through the book, and it was one that I was particularly interested in. So, when I came across this fabric in my stash, light bulbs flashed and I was onto something.
I’ve had this fabric for a while- several years really. It’s a line by Basic Grey through Moda, and I remember when I first saw it that it evoked feelings from my gut, but I couldn’t think of why. Then I remembered. These colors, this mix of greens and yellows and browns and greys, are what fall looks like in the Atlanta, Georgia area. Not up in the trees, but down on the ground. Along the side of the road, and in the occasional open field. This fabric reminds me so much of riding in the car when I was small, and watching the landscape go by.
So, while Heather’s version of Lebanon is a street view of windows in a building, but my version is from the inside out. I planned the quilting when I was planning the quilt- grey walls with paint brush strokes. White window frames. A slightly different view in each window, but a consistent palette.
I really love this quilt, and was glad to have had the inspiration from Quilt Local. I don’t keep very many quilts for myself, but I am keeping this one. Makes me feel like I am a skinny little grey-eyed girl in the back seat of the car with the wind in my long, stringy brown hair. Much happier to be looking out that window than you could ever know.
For tips on an easy accurate way to join binding, click here, but you can also add this tidbit to your toolbox. Finishing corners off full, flat, and straight can be tricky. Binding needs to be full to to last longer, and to be correct for competition. I let my batting and backing extend just a bit past the edge of my quilt top all the way around. This little bit allows the thickness that batting needs to have when I turn the binding to the back and stitch it down by hand. When I get to the corners, I trim the extra batting and backing right up to the edge of the quilt, because while bulk is good around the quilt, it is not so good in the corners. Ask me how I know. Also, I like to use finger cots or needle pullers to help get a good grip on the needle while I am hand sewing. It actually helps me to sew a little faster, except that I have a tendency to take them off and text for a few minutes here and there.