It’s a small, small world.

The quilting world sometimes feels like a secret favorite child of one of society’s mistresses. The world at large doesn’t seem to be too aware of us, and yet we toddle around the globe via the internet, and even cruise ships having the time of our lives. We chatter amongst ourselves about fabric lines and manufacturers and the latest shake-up in the industry. We gently stalk our favorite designers, and hoard fat quarters like they’re Beanie Babies. And how about shop hop events, guild meetings, friendly sew-ins, retreats, quilt shows and conferences? Over 50,000 people attend the International Quilt Festival in Houston, TX each fall. Over 30,000 descend on the tiny town of Paducah, KY each spring for AQS Quilt Week. And while it’s tough to find the exact numbers, about 2,500 attend QuiltCon each February as it moves back and forth across the United States.

Depending on one’s perspective, those are big numbers or small numbers. Some are surprised there’s that much interest in what the world at large thinks is a “dying art.” Others are so immersed in the quilting world that they might think that number would be larger, and are shocked no one else in the grocery store is creeping up on Anna Maria Horner or Angela Walters for their autographs.

And then one enters the longarm quilting community. If people think the quilting community is relatively small, they should meet the longarm crew. Hello. We haven’t even been able to get the word “longarm” as one of Webster’s new words, and we’ve been using it for years, mildly annoyed by that red underline every time we type it. Never mind that autocorrect insists that we are seeing rather than sewing. And sewist needs to be a new word, too!!!!! But I have digressed.

When Juan was first delivered and set up in my studio, I found myself incredibly overwhelmed. I felt like my dealer was speaking another language. She spoke quickly and used terms I was completely unfamiliar with, and quite honestly seemed to assume that I knew a lot more than I did. When she left I cried. It was about as bad as bringing home my first child. I had that hard, tight feeling in my chest warning me that I had made a decision that I could not take back, and that I’d better grab my bootstraps and get it figured out. Fast.

I hardly spoke a word about how I was really feeling, and I spent a lot of time telling everyone how excited I was. And a part of me was excited, but it was a very small voice, and it took some work for that voice to grow in strength and confidence. Especially when it was mixed with voices from others, and even from myself, degrading computerized work, the brand of machine I bought and longarming in general.

I started to hear of online support groups. Then about magazines devoted to longarm machine quilting. Then longarm quilting support meetings. Then quilt shows focusing specifically on longarm quilting. Then retreats. And even cruises. Who knew?!?

In the last couple of years, I’ve narrowed the groups I participate in as I have found some work for me and some don’t, for a number of reasons. I’ve attended two retreats, Statler Southern Belles, both being hosted by Joan Knight and Anita Shackelford in the spring at DeGray State Park in Arkansas.

While the lodge accommodations are average and the food is meh, the scenery is incredible. It is a beautiful location for a gathering, and the staff are friendly and kind. But the location is not why we are here.

These retreats are the only quilting related event I’ve ever been to that we don’t touch a piece of fabric or a machine pretty much the entire time. Ninety or so of us pack into a darkened conference room for 2 1/2 days looking at projected computer screens and furiously taking notes.

Joan and Anita are remarkably professional, and are incredible educators. They know the software and the machine inside and out, and break down every topic to its bare essentials and then build it back up again. I could not do what I do without their leadership and tutoring. Attending these events has made all the difference in the world to my work. I’m very grateful, and would recommend this retreat to every Statler owner- it’s totally worth it.

Just like every educational event, not everyone has the same experience. Some have a-ha moments. Some get more confused than they were before they got there. Some get frustrated because they already know this stuff. Some get frustrated because they are lost just trying to keep up with the lingo.

There are shenanigans. Door prizes. Lots of candy and Diet Coke. Laughter. Groans. People who break the rules. People who are annoyed with those breaking the rules. Applause. Guest speakers. Show and tell. Cake. And inside jokes.

There are evening gatherings that include comparing notes on everything from running a longarm business to what to do with grandkids over the summer. We pick the brains of our patient hosts and guest designers, as well as each other.

Some stay up late, but my brain is so tired at the end of the day, and quite honestly I’ve hit my social wall, that I’m grateful to make my way to my room. I also head there at lunchtime so that I can quickly work up some of what I just learned on my laptop before I forget it.

It is nothing like what I expected it to be. It’s a whole different world that I was never aware of in my 20+ years of quilting. And I still feel like I’ve only skimmed the top of it. There is SO much to learn- so many ways to progress, develop and grow.

And so many people to meet and learn with in this small, small world.

Something old. Something new.

I love this little quilt. I love the colors. I love the fabric. I love the maker. And I love what I got to learn from it.

Several years ago- more than I can remember- I participated in a quilt guild’s brown bag challenge. If I remember correctly, each member of the guild put 5 fat quarters in a brown bag and turned them in to a coordinator. The coordinator then redistributed the brown bags, and each maker had a few mo this to make a quilt top from the contents of the bag.

My brown bag ended up in the hands of a sweet friend and meticulous quilter, and I was thrilled with what she did with my fabric selections. Her curved piecing was impeccable, and I thought it was great use of the prints.

Like so many of my own projects, it got packed away and added to a long list of UFOs. A few months ago I actually went through all of my “stuff” and took an inventory of all of my UnFinished Objects and was horrified and embarrassed, so I’ve been pretty committed to finishing things off. The added benefit is that one of my major motivations is a sense of accomplishment, and as I finish each project my spirits are lifted and creativity is free to flow.

Another benefit is that I find that I’ve learned a lot since the project before me was first made, and I love applying new skills to those older projects. This time it just so happened that I had just learned a new-to-me binding technique, and this quilt was small enough that I was willing to try it without it being a huge commitment.

For years I thought that continuous double-fold binding was the only way to bind a quilt without folding the backing to the front. I’ve learned that is not at all true, and there are several more options. It really just depends on the end goal on which one works best, although most people pick one way of doing it and just stick to it. Me? Not so much. I like variety, and understand that I may not want the same finish on every quilt.

I recently attended the Southern Belle retreat for owners of Statler machines and hosted by Joan Knight and Anita Shackelford. We learned tons about our machine software, but there were also demos and discussions on other aspects of quilting. One of those was a lecture and demonstration of binding presented by Anita. During this, I learned about continuous single-fold binding, which I’ve never seen done before.

Two of the major differences from the continuous double- fold binding in familiar with are that continuous single-fold is cut at just 1 1/4″, and the length of the binding is not pressed in half. The binding is machine seamed on the diagonal, and machine attached (right sides together) to the front of the quilt.

The binding is then flipped to the back, and the raw edge is folded halfway down with a hard finger press as it is hand stitched to the back of the quilt. I found that it worked best to work about 2-3″ out from my needle and press towards where I was working. Otherwise the binding can start to warp.

Stitching is standard 1/4″ blind stitch with a single thread. Corners are also standard 90 degree with flaps sewn down both on front and back.

What I loved about it is that the binding, and especially the corners, are remarkably flat and tight. It was a relaxing process to me, but I happen to LOVE binding quilts. The negative was that quite honestly, it took me twice as long to do because of having to stop to finger press every couple of inches. I may see if I can tweak that process next time.

And so, there it is. Something old- a marinated UFO, and something new- a fabulous technique!

#520in2018

A couple of years ago I had a goal of doing 520 hours of service in a year. I didn’t make it, but it was still awesome. Then I got distracted, and even felt like people thought I was bragging with the hashtag. After reassessing a few things, I’ve decided to return to this idea. I’ll be posting my progress along the way, not as bragging, but more as accountability, but also an easier way to keep track of it myself as well as let others know that I’m available to help if I am able.

What does this mean to you? It means that I am offering up to 10 hours of free quilting each month. No strings attached, but a few rules to keep things fair.

1- Edge-to-edge/panto quilting only. I will show you some options and you can choose which you like best. Once the quilting has begun, you can’t change your mind, so make sure it’s what you want!

2- The Green Apricot/Angela Gubler are not responsible for costs of materials- backing, batting and thread. They either need to be either provided by the client or purchased from TGA.

3- Shipping costs are solely the responsibility of the client.

4- TGA is not responsible for loss or damage to the quilt top or quilted quilt.

5- To submit your quilt for this offer, simply send at least two pictures of the quilt top- one of the whole top and the other a close up, and the measurements of the quilt to thegreenapricot@gmail.com. You do not need to send any info about why you are submitting the quilt. I will respond to let you know if I will be able to schedule your quilt.

6- If I am able to fulfill your request, I will schedule your quilt for quilting, and it is your responsibility to get everything to me by that date. I am using a scheduling system for quilting and have limited time slots available, so you may lose your spot if I do not have everything in hand on time.

I’m looking forward to a wonderful new year, and I hope you are, too!

Framed

 

 

 

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Recently I was super excited to get my hands on the latest installation of the Ghastlies fabric from Alexander Henry.  Intown Quilters Fabric & Yarn is one of my favorite shops, and I was in a hot hurry to get up there and grab some before it was all gone!  I have managed to miss out on it in the past, but that was not going to be the case this time.

As you can see from the sampling above, the line is absolutely fabulous.  There are actually two color ways, but the difference is subtle, and I still liked to mix them.  One is kind of half the color intensity of the other, if that makes sense.  There is a perfectly chilling pastoral, a delightfully harrowing panel and a number of accomplices in the form of supporting fabrics.  I am just crazy over the moths and webs.

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But let’s be honest.  Sometimes fabric like this is hard to cut into.  What exactly to do with the panel?  The print rarely straightens up well to be able to cut an actual square, even though the panel is made of squares.  And, there’s no seam allowance between squares, so losing some of the print is bound to happen.  The pastoral print is fun and large, but where to begin?  How big to make the blocks?  What if I cut off someone’s head?

Well, no worries.  After all, these are the Ghastlies.

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I didn’t have a pattern, but Sarah at IQ and I were chatting and we came up with a bit of a scheme, and I headed home with fabric in hand to get to chopping.

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In my haste to start whacking away at the Ghastlies, I forgot to get a good plan about how to cut those panel squares.  I needed some for one size of square, and some for another, and it was getting difficult to get enough of the larger squares.  Then I realized that if I cut the panel in the middle along the print from selvage to selvage and worked out from there, I would have more to choose from for the larger blocks.

Once I had accumulated enough of the larger squares, I cut into the remnants of the panel for smaller squares- which left for lots of opportunity for selective chopping.

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Then I was ready for block assembly.  This thing was taking no time at all, and I was loving every macabre moment of it.

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The squares were all assembled, but something was awry, and it wasn’t just the lighting in my living room or lack of quality from a camera phone.  First, it was way tiny.  Second, well, the delight of drama was a bit lacking.

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So, back to IQ, and back to plotting.  I ended up using both color ways of the line, and put a little more thought into placing the darker fabrics to highlight a little more contrast.  After all, what good is a mystery without a bit of conflict?

But I still found that the pastoral blocks were blending into the background more than I wanted, so I decided to highlight just a few of them using a technique I learned several years ago and has come in handy a few times.

Sometimes I need just a thin line to define a space, or break up a design.  A very thin line.  Like a 1/4″ line.  But without adding any size to the original block.  Now, admittedly, I am not a perfect quilter, in any sense of the word, so the idea of cutting the desired area down by 1/2″ all the way around, then cutting a strip 3/4″ and attaching it with a perfect 1/4″ seam and keeping all and all straight and squared up is a bit daunting to me.  Maybe even terrifying.  Disturbing.  Unnerving.  (Better stop before I run out of adjectives.)

So, this is how I do it.  I leave the block the original size.  I cut a 1″ strip of the framing fabric.  I use a 1/2″ seam allowance to attach the framing fabric to either side of the block.  At this point I make a choice to either cut away the excess 1/4″ in the seam allowance, or leave it in for a little extra bulk in the frame.  I left it in this time, but Juan the Gammill Camel (my longarm machine) was not happy with me for doing it.  Then I attach the framing fabric to both the top and the bottom of the block, again using a 1/2″ seam allowance, and then either cutting away or leaving the excess.  It finishes nicely for me, and to me is easier than fiddling with a thin piece of fabric and a thin seam allowance.

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Having said all of that, when the gang at Intown Quilters and I got to talking about it and decided for a pattern’s sake to write it up a little differently.  So, if you pick up the kit or the pattern for A Ghastlie Parquet from IQ either in person or online, you’ll see a different way of doing it, but you’ll also know the secret of how it actually came about.

Once the top was done, and I swear it took just as long to write this blogpost as it did to make the top, it went straight into Juan’s arms.  Juan and I discussed our options a bit, but really, it was decided pretty quickly that we wanted webs.  But not just regular old standard webs.  We wanted cool webs.  And I found them at Urban Elementz.

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It quilted up quickly, and before I knew it the binding was on and voila- the Ghastlies were framed and on their way to the holding cell at Intown Quilters for your viewing pleasure.  Bwahahahahahahaha…

Always Watching

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I was so excited for cooler weather that I started scanning Pinterest for fall decorating ideas in September.  When it was still in the upper 80’s around here.  Like way hot.

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In fact, I got to it and bought pumpkins at the state farmers market and started decorating inside the house.  I knew it was a bad idea to put them outside, but I figured they’d be good for a while inside.

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Well, as of this week I am down to just a handful of pumpkins as they have all started to rot.  I am sure I was supposed to do something like wax them or whatever, but really, I’m not worried.  It just means an excuse to decorate again.

Anyway, in the midst of my prowling on Pinterest, I found a cute tutorial about making an eyeball quilt block from Happy Sew Lucky.  You can click here to see the tutorial and the inspiration for my Always Watching pillows.

When I saw the blocks and tutorials I started to wonder if I could do something similar using the Creative Grids Log Cabin and Curvy Log Cabin Trim Tools.  I didn’t want a whole quilt, but I thought it would be kind of fun to have a few sets of eyes looking at you from the couch when you came in the front door.  Or greeting you at bedtime.

I cut strips from black and white fabrics, and for this particular pillow I used the 6″ Curvy Log Cabin Trim Tool and followed the instructions for strip size and for cutting the center block, or the pupils.

Usually when making Log Cabin blocks I make sure that as I add strips I rotate the blocks in the same direction, but in this case I wanted the eyes to be a mirror image of each other, so I rotated one clockwise and the other clockwise.  Following the directions on the tool, I trimed to Round 1.

Continuing on to Round 2, I added black, as I wanted my eyes to be very simple- just an eyeball with a pupil.  I’m thinking I might do it again and add an iris, but that may be a project for another day.

I like crazy eyes, so I just turned them around a bit and added just enough black all the way around to make a 12 1/2″ pillow cover.  I played with the idea a little more and made some not-so-scary eyes, which were also fun.

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Again, the goal was to keep it pretty simple, so I layered the block with a piece of batting and just quilted around the pupil and the inside of the eyeball.  I then threaded my loose threads to the back and tied them off.

I wanted to make these as pillow covers because I like the idea of being able to change out the pillows around the house, but don’t like the idea of storing actual pillows that aren’t in use.  Aint nobody got space for dat.

I made my own pillow forms as I have plenty of materials around to do it.  I just have to remember what size I am supposed to make the pillow covers.  Hence a blog post.

I picked up this super cute Halloween fabric at Intown Quilters when I was in Atlanta recently.  I didn’t want the back of my pillows to be boring, and this was perfect!  I originally thought I wanted to do an inset zipper like you would do for a pocket in the lining of a bag, but in the end decided that it would be easier to get the cover on and off of the pillow if the zip went from edge to edge.  I had already cut the fabric into 12 1/2″ when I decided to do this, so it wasn’t exactly right after the zipper was installed, but it was good enough.  Next time I would cut the back to be 12 1/2″ wide and 13″ long for seam allowance in the zipper.  I cut the back fabric straight across at 3 1/2″ down from the top in order to install the zipper.  I used a 14″ nylon zipper that was easily sewn through and cut to fit.  I then used 2″ binding to finish it off, sewing the binding to the back of the pillow cover by machine and to the front by hand.  It took an afternoon to make all three pillows covers and the pillow forms, so I feel like I could knock out a few more pretty easily.  I think I need at least two more, but I really think I will end up going for seven in the end.  Maybe next year!

 

A Banner Halloween

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I’ve always loved Halloween, although I think the reason I like it so much mostly has to do with the weather!  I also like funny costumes and fall festivals complete with trunk-or-treating and donuts on a string.  But I really love Halloween decorations.  Not really the kind that try to be seriously scary or gory or whatever.  Just the fun stuff.

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I especially like Halloween decorations that have a vintage flair, and was drawn to some fun fabric I found on clearance at a shop called Stitching It Up in Cedar City, Utah.  I have  been to this shop a few times over the years, and I follow Kim on Instagram.  The shop is lovely and covers lots of stitching joy- quilting as well as needlework.

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I was really excited about the fabrics you can’t actually see very well in the photo.  They are printed Halloween banners with a gothic text style, and when I saw them inspiration struck.

While I love holidays for a lot of reasons, the biggest one is that it gives me an excuse to make stuff for our kids and grandkids.  First of all, I don’t think we celebrate enough in life.  There is so much good in this world.  So many things to enjoy and be happy about.  And secondly, let’s be real, as much as there is to be happy about, life can be hard.  Maybe things are tight financially.  Maybe work or school hasn’t been going as well as one had hoped.  Maybe there are unexpected physical challenges.  And maybe everything is just fine.  In any case, I am grateful for little opportunities to do things for our kids to try to let them know that I love them.  That I am thinking of them.  That I want them to have a little something extra to smile about.

So, why not some Halloween goodies?  Just for fun.  There were just enough banners on the fabrics to accomplish my goal, so when I got back from Utah I started plotting.

The first set of banners weren’t quite big enough for what I wanted to do, so I added a striped fabric to the bottom of each strip of lettering before loading them onto Juan.  I plotted out the desired shape on the computer and stitched around each letter.  It took a little longer than I expected because I wasn’t sure how to plot it such that it didn’t stop between each letter.

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The other banner had the shape I wanted, and it was just a matter of stitching the layers together.  I was glad to have strips of batting left from other projects that were just the right size.  It is always good to me to find a use for leftover batting, although I usually cut it into smaller bits and use it to dust and clean.

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After they were stitched out on the longarm, I used pinking shears to cut around each shape.  I didn’t want to make a double-fold bias tape to connect the letters because I felt like it was just too much work.  So I cut a strip of fabric using a pinking blade on my rotary cutter and then using a glue stick, glued the letters into place.  I was really worried I was going to accidentally put them in the wrong order and spell something wrong!  Then I took the banners to the sewing machine and just stitched through the top strip to hold everything in place more permanently.

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Once these were finished, I packed up a few other things- some paper banners and little bit of candy, along with some Halloween themed books for the littles.  It’s quite the stack of boxes when I put these things together, and it does my heart good to know what that stack represents.  I love my peeps more than I can tell them, so I try to show them instead.

Years ago when I was a young mother, I was at a friend’s house when she received a package from her mom.  It was nothing special- just a small box of candy with a silly note.  I asked my friend about it and she said that it was from her mom, and that she sent things like that all of the time. It stuck with me, probably more than it stuck with her.  I knew it was something I wanted to do for my kids when they grew up and moved away from home.  I don’t do it as often as I would like, but I try to do it from time to time, and holidays give me a good excuse.

These pics from our son and his wife that were taken in their little college apartment made me smile.  I love holidays.

A Nice Place to Land

Travel is a very real part of my life, and I imagine and hope that it always will be.  Most recently I was back and forth from home in various stints over a stretch of a month and a half.  I will be home for about that long, and then gone again soon.  Then repeat.  Sometimes I travel for fun, like the trips we take twice a year to celebrate our marriage.  Or family reunion.  Or trips with our kids and their families.  Or the occasional quilt retreat that has no work attachments involved.  But while I don’t always travel with fun as the main purpose, it still is always fun.  Like visiting family, especially our kids and grandkids.  Or going to Quilt Market, if or when I go.  Or quilt retreats with work at least partly in mind, although sometimes work is the sole purpose.

For instance, the recent retreat The Green Apricot hosted in Crossville, TN.  I had a great time, and I loved being a hostess and cooking and hanging out and having a good time with friends.  On Thursday when it ended, it was good to see smiling faces packing up cars and heading back home again.  I, on the other hand, was not headed home.  Our granddaughter was having a birthday party in TN on Saturday, so rather than head south to Atlanta and then back up to Nashville the next day, I decided to hang around a bit and take it easy between retreat and birthday party.

As many of you know, I am a bit obsessed with donuts.  One time my husband looked at me and basically said, “If you’ve eaten one donut, you’ve eaten them all.”  I just stared at him.  The donut thing has been real my whole life, although I have hated Krispy Kreme for many years.  Mostly because my dad would get them on road trips, and inevitably I would get car sick, and well, the rest is history.  (As a note, I tried them again a couple of years ago, and I really do still hate them.)  The obsession, however, has really taken flight in the last couple of years because, well, donuts, and I love the idea that an easy way to shop local when traveling is to find a donut shop.  So, I try to look for donut shops whenever I am on the road.  This time I found Ralph’s Donuts in Cookeville, TN.  They’ve been there since 1962, and are located in a fun part of town with boutique shopping and eateries.  It was way off of my charted course from Crossville to Nashville, but totally worth it.  When I asked what was the one donut I had to order I got an immediate answer of, “Butter Twist.”  So, Butter Twist it was, and I was pleased.  I usually get two donuts at places like these.  A standard that I can compare with other donut shops, and their specialty.  But I had just returned from quilt retreat full of Oreos and Peanut M&Ms, so restraint was called for.  However, if I ever get to go back…

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Since I wasn’t in a big hurry, and I didn’t have the husband in tow, I thought I might check out Craft South in Nashville.  I’ve met Anna Maria Horner a couple of times, including once in a restaurant bathroom during Quilt Market, but that’s another story.  I’m kinda a big fan, and I love her work and her style, so I was looking forward to her shop.  However, it turned out that I might have actually been able to go into the store if Jeff had been with me.  I followed Sybil’s directions and found Craft South in a super trendy, fun neighborhood not too far from Vanderbilt’s campus.  But, all that fun and trend has a tendency to equal no parking.  After circling a neighborhood crawling with both construction and hipsters three times with no luck for parking, I bailed and headed to my evening destination.  Thompson’s Station, and Suzy Homemaker.

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Who exactly provides a snack bar in their guest room?  Who exactly puts together the perfect dinner because she knows what her guest needs?  Who exactly can cut through the crap and get to the real story with everything from politics to quilt shops?

Suzy Homemaker, of course.  No, that’s not totally her real name, but she is Suzy.  I met her a few years ago as she is Chris Warnick’s right-hand woman in putting on The Stash Bash, and have enjoyed her friendship ever since.  I messaged her a couple of weeks before I was going to be in Nashville to see if I could visit her and crash at her place for a night.  I knew it would be a treat to get to visit with her and her husband, but had no idea just how perfect of a place it was for me to land.

I had a great time at the quilt retreat in Crossville, and very much loved being a hostess for such an event.  But when it was over, I truly was exhausted.  It wasn’t until I settled in at Suzy’s that I realized how overstimulated I felt, and kind of wired.

Suzy keeps a lovely home, which shouldn’t surprise anyone.  So much of it is in the details.  Everything from the soap to the bed that I could barely convince myself to get out of the next morning.  Everywhere I turned there was something to look at and think about, but not in an excessively analytical way or in a trendy, copycat kind of way.  More like a “Huh- that’s cool-  I wouldn’t have thought of that, but it works perfectly” kind of way.

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She has such a great mix of wood and metal and white and black in her home, and just seems to highlight all the right things in all the right places.  Suzy and her husband are also in the race car industry, and there were hints of it throughout the house, but without being brash and kitschy.  It felt like Nashville, but it also felt like a canvas for conversation.

It was just what I needed- to be hosted for a day after hosting for a few.  We chatted into the night, and picked up again in the morning.  And of course, we had to get a donut, and head to a quilt shop.  This time there was plenty of parking.

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I stole these photos from the internet.  I am admitting it openly.  I’d like to give credit, but honestly, I’m not sure to whom I should give it!  At any rate, Suzy promised I would love Stitcher’s Garden, and she was not wrong.  Not by a longshot.  This place was packed.  I mean packed.  In every good way.  We have a shop in Georgia similar to it called Thread Bear Fabrics.  Both of the these shops have a crazy, serious selection.  You want traditional?  You got it.  You want modern?  You got it.  You want fat quarters?  You got more than you can imagine.  I had a fabulous time sifting through and making plans, and even remembering projects gone by.  I showed a bit of restraint, as I already have plenty and enough, but I did get a couple of things with purpose, and a couple without.

We literally shopped until the last moment.  Jeff flew in that afternoon, and I needed to navigate through Nashville traffic to pick him up at the airport.  It was good to see his face.  I enjoy my adventures, and I feel that I am fairly independent, but I miss him terribly when we are apart.

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Jeff and I go to Nashville from time to time as two of our daughters and their families live there.  We have a favorite place to stop and eat- Coco’s Italian Market and Restaurant.  My favorite appetizer is the bruschetta, pictured above.  I’d like to deconstruct it and try to make it at home, but I’m afraid I’d never get the bread quite right, and that I’d gain a couple hundred pounds!

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Speaking of low-cal Italian treats, we also never miss a chance to share a piece of Chocolate Eruption cheesecake.  We are kind of known for taking it to go with the intent of eating it a little later, but it never makes it more than a mile or so down the road.

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The next day we headed to our daughter’s house to spend the day celebrating our granddaughter’s birthday.  It was such a nice day with family, and I am so grateful that we were able to be there.  I feel very grateful for all of the travels, even the ones that can be somewhat stressful, but I am especially grateful for the travels that take me places like this one.  Some things matter, some things don’t.  Some things last, some things won’t.